For this exhibition, I’ve chosen a group of seven large circular pieces. One came from a period when I decided to spend a lot of time walking at night. It is probably the time that when I am on the moor I feel most out of any time period. I feel as if I could be walking today or I could be walking several thousand years ago. The night walking also connects to the place in which the pictures are made, the darkroom. I’m interested that I’ve chosen to make a form of art where the making takes place somewhere like a cave. Somewhere you illuminate – it’s a primitive, simple place in which I’m using ...
There are approximately 393 more words in this article.
To read the rest of this article, please buy this issue, or join the Resurgence Trust. As a member you will receive access to the complete archive of magazines from May 1966.
If you are already a member, please Sign in
